Bro-Reviews: Tomb Raider

More like Time Raider.

The video game movie appears to be a genre of film that Hollywood can’t seem to get right. A majority of them rank as bad and don’t rise above guilty pleasure status (*Doom, Mortal Kombat), and still represents a challenge for Hollywood to conquer. Despite it being a critical failure, the most successful and highest grossing video game adaptation of all time remains Lara Croft: Tomb Raider, which featured an iconic turn from starlet Angelina Jolie as the popular character. 15 years after its unsuccessful sequel, Lara Croft Tom Raider: The Cradle of Life, Hollywood has decided to give the character another try, but this time in a more realistic fashion much like the successful 2013 video game reboot in 2018’s Tomb Raider.

Tomb Raider sees Lara Croft (Alicia Vikander) struggling to make ends meet despite being the heiress to her father’s, Lord Richard Croft (Dominic West), estate. She struggles with this decision due to her belief her father is still alive despite his disappearance on an expedition looking for Himiko, the Queen of Yamatai whose legend proclaims she was buried alive by her generals due to her ability to kill anyone she touched. In a video recorded message Lara finds at her former home, her father proclaims a group called Trinity, led by Mathias Vogel (Walton Goggins), intends to uncover Himoko’s tomb and use her powers for a global genocide, and must be stopped. Lara sets off for an adventure with the help of Lu Ren (Daniel Wu), a ship captain, to find the island where Himiko is buried and stop Trinity before the genocide ensues.

In regards to its likeness to the recently rebooted 2013 video game and its 2015 sequel, Tomb Raider definitely nails the look. Alicia Vikander looks the part of the re-imagined Croft, and her physicality is put on full display in a fashion in which you fear for her safety and feel all the bruising punishment she endures throughout the film. This makes for some impressive action sequences, as the dangers of the jungle and the tomb she explores present various challenges but bear a striking resemblance to the games, making it a true adaptation.

Alicia Vikander in Tomb Raider.

Unfortunately, it takes way too long to get to this point, as the movie spends an inexcusable amount of time being boring in its attempt to set-up Lara’s back story Batman Begins-style instead of actually delivering what we came to see: Lara Croft raiding tombs. Instead, we get to see Croft participate in trivial bike races for money to help clear her debt (*because that was everyone’s favorite part of the “Tomb Raider” games) and her pout over being the heiress to a company and her daddy-dependent issues. To make matters worse, its not until the last 30 minutes of this overlong slog that we get to seeing any action in a tomb, a surprising development for a movie titled TOMB RAIDER based on the video game of the same name.

While Vikander nails the new look of the character, she doesn’t have the same screen presence as Angelina Jolie, and isn’t quite an action star in the making. Dominic West looks like he was dragged into being in the film, and is straining to appear happy to be there. Kristin Scott Thomas is thoroughly wasted in the film, that is until a preposterous Marvel-esque stinger/ reveal towards the end. The only two who manage to get anything out of their roles are Goggins and Wu, because a bored Goggins is still somewhat compelling and Wu is woefully underused despite his laid-back charisma.

Tomb Raider cannot break the curse of the video-game movie. Its an overlong slog and a sorry excuse for an action movie attempting to capitalize on the recent resurgence of the women’s empowerment movement. Sure, the film resembles the game in regards to its environments and look of its starlet, but it seems as if the filmmakers chose to focus solely on the aesthetics of the game instead of the actual game play, which will leave fans of the game wishing they stayed home and turned on their Playstation instead. In short, Tomb Raider doesn’t spend much time doing what its title suggests it should, and should be regarded as a “Time Raider” instead.

Rating: 1.5 out of 4 stars, skip it.

Tomb Raider stars Alicia Vikander, Dominic West, Walton Goggins, Daniel Wu, Derek Jacobi, and Kristin Scott Thomas. It is in theaters March 16th.



Bro-Picks: The NCAA Tournament Final Four Predictions

March Madness has officially arrived.

In what could be described as one of the most unpredictable seasons in NCAA Men’s basketball in years, this year’s tournament is shaping up to be one of the craziest ones March Madness has ever had to offer. While some of the typical powerhouse schools are obviously favored, there is no clear-cut favorite, and it is anyone’s tournament to win.

Here is the bracket to end all brackets, read it and weep.-1

Final Four Picks:

West Region: Michigan

The Wolverines may be the hottest team heading into the tournament. Their back-to-back victories against top ranked Michigan State and Purdue in the Big 10 Tournament solidified them as the team nobody wants to face, as their 9th ranked defense has the ability to shut any team down. If that wasn’t scary enough, they also have a tournament star in the making in 6’11 junior forward Moritz Wagner, who shoots nearly 40% from three point range.

Moritz Wagner is the leader of perhaps the scariest team heading into the NCAA Tournament.

Midwest Region: Kansas

Despite an up and down season that saw them drop games to lower-tier schools in the Big 12 such as Baylor and Oklahoma State(*twice*), Kansas boasts a talented roster wherein all five starters average at least 12 points per game. While the status of sophomore Udoka Azubike remains unclear, any team coached by Bill Self stands a chance to make it far into the tournament, even in the hardest region in the tournament.

As one of the top coaches in the game, Bill Self can guide the Jayhawks to San Antonio.

South Region and NCAA Runner-Up: Arizona

Even with all the controversy surrounding the school in regards to its supposed misdeeds in the FBI’s investigation of corruption in the NCAA, head coach Sean Miller will use it as fuel to help guide his program to the Final Four and make the tournament more awkward for everyone. It helps they have generational talent Dendre Ayton, as the 7’1 forward averages 20.3 points and 11.5 rebounds per game and can carry the Wildcats to San Antonio.

Deandre Ayton could carry the Wildcats past the controversy all the way to a National Title.

East Region and National Champion: Villanova

Only two years removed from winning one of the most thrilling National Championships ever, Jay Wright’s squad seems even more unstoppable this year. With 6 players averaging double figures in points and a team 3-point shooting percentage of nearly 40 %, Villanova’s top ranked scoring offense will carry them to another National Title and a dynasty in the making.

Junior guard Jalen Brunson leads the top scoring offense in college basketball, which should result in another National Championship for Villanova.



The 2nd Annual Bro-cademy Awards: The 10 Best Films of 2017

Welcome to the 2nd annual Bro-cademy Awards, the 10 best films 2017 had to offer.

There was a plethora of average, poor, or complete garbage films released in 2017, and good movies were seemingly hard to come by. That’s why when audiences were blessed with actual competent and well made films, they went and saw them again and again. While actual Oscar caliber films didn’t get wide releases until January (*hence why some of those critically acclaimed awards season films have been excluded in this list*), it’s time to count down the best films 2017 had to offer by honoring them in the 2nd annual bro-tastic film awards ceremony, the Bro-cademy Awards.


10. Baby Driver


Sure, it’s the hipster incarnation of The Transporter, but Baby Driver is a thrilling new spin on the action genre that features tremendous action, witty and funny dialogue, great performances, and a killer soundtrack.


9. Ingrid Goes West


Ingrid Goes West is one of those “oh you didn’t hear about it?” films that slips under the cracks and goes somewhat unfairly unnoticed. Not here, as Ingrid Goes West‘s dark humor in relation to our society’s obsession with social media and surface level connections in place of personal ones makes it perhaps the most #topical films of 2017.


8. Lady Bird


A quirky coming of age story for young women and a close examination of mother-daughter relationships, Lady Bird is a delight. Its terrific performance from up-and-comer Saoirse Ronan showcases she’s a force to be reckoned with, and is a perfect film in a time of #metoo and Time’s Up.


7. I, Tonya


If you think you know the story of American villain Tonya Harding, I, Tonya begs to differ. Featuring powerhouse performances from Margot Robbie and Allison Janney, I, Tonya uses interviews and fourth wall breaking on its biographical subject matter to do the impossible: making you have sympathy for Harding, the devil herself. If that doesn’t qualify as one of the best films of 2017, then what does?


6. Star Wars: The Last Jedi


While divisive amongst Star Wars “aficionados”, Star Wars: The Last Jedi takes everything you’ve come to know about the series and turns it upside down. While some results fare much better than others, it’s a triumphant new direction for the series and shows it still has life and is rife with new ideas.


5. Get Out


No ones directorial debut should be this creative, masterful, and timely. Jordan Peele’s Get Out is all of those and more, standing alone as one of the most original and thought provoking pieces of cinema 2017 had to offer.


4. Phantom Thread


Adept direction, beautiful scenery, and a powerhouse performance from Daniel Day-Lewis makes Phantom Thread the best film out of those actually nominated for “Best Picture”. Not only is it another winning entry in the underrated Paul Thomas Anderson’s career, but marks a triumphant farewell for Daniel Day-Lewis should it be his swan song performance.


3. Logan


Logan isn’t just a comic book movie, it’s a western with dramatic heft that makes it a game changer for the genre. Not only does it provide the R-rated thrills we’ve craved from a Wolverine film, but also marks a triumphant end for a character Hugh Jackman has made legendary and his own for nearly two decades.


2. Blade Runner 2049


A sequel to a cult classic like Blade Runner seems like a disaster on paper, but Blade Runner 2049 advances its thought provoking sci-fi ideas with ease. It’s not only a rare sequel that improves upon its predecessor, but also proves you can make a thinking man’s movie while still providing action thrills and breathtaking visuals on a blockbuster scale.


1. War For the Planet of the Apes


Perhaps the most overlooked movie of the year, War for the Planet of the Apes is a triumph on multiple levels. Its breathtaking CGI, emotional depth, and blockbuster thrills are unprecedented for a tent pole summer film, and resonates as one of the most powerful films not only in its historic franchise, but also of 2017, making it the best 2017 had to offer in film.


The 90th Academy Awards: Who Will Win, Who Should Win

With the Academy Awards just hours away, who will win the gold statues, and who should win the gold statues?


Best Director nominees:


Christopher Nolan, Dunkirk

Greta Gerwig, Lady Bird

Guillermo Del Toro, The Shape of Water

Jordan Peele, Get Out

Paul Thomas Anderson, Phantom Thread

Who will win: Guillermo Del Toro

Who should win: Jordan Peele

Guillermo Del Toro will finally get his due when he walks away with “Best Director” honors Sunday night, and he is a worthy winner for his visionary work in The Shape of Water. There is a case to be made, however, for Jordan Peele’s work in his feature film directorial debut. Get Out might be one of the most culturally relevant films to be released in quite some time, making Peele more than worthy of the honor.

Best Supporting Actress nominees:


Allison Janney, I, Tonya

Laurie Metcalf, Lady Bird

Lesley Manville, Phantom Thread

Mary J. Blige, Mudbound

Octavia Spencer, The Shape of Water

Who will win: Allison Janney

Who should win: Allison Janney, Laurie Metcalf, or Lesley Manville

Allison Janney is a force as Tonya Harding’s abusive mother in I, Tonya, and will walk away with Oscar gold. While very deserving of such recognition, one must also note Laurie Metcalf’s terrific turn in Lady Bird and the under the radar performance given by Lesley Manville in Phantom Thread. Should either of them walk away with the award come Sunday, it’ll be much deserved.

Best Supporting Actor nominees:


Christopher Plummer, All The Money in the World

Richard Jenkins, The Shape of Water

Sam Rockwell, Three Billboards Outside of Ebbing, Missouri

Willem Dafoe, The Florida Project

Woody Harrelson, Three Billboards Outside of Ebbing, Missouri

Who will win: Sam Rockwell

Who should win: Woody Harrelson

Sam Rockwell is one of the best things about Three Billboards Outside of Ebbing, Missouri, and as a veteran character actor he is due for some well deserved recognition. But considering the current political climate, maybe it isn’t the best idea to recognize a performance that rests upon corrupt, racist ideals. Woody Harrelson gives a much more quiet performance in the film, but his impact on it is more powerful, and recognizing a long stalwart of Hollywood would be one of the best directions to go in.

Best Actress nominees:


Frances McDormand, Three Billboards Outside of Ebbing, Missouri

Margot Robbie, I, Tonya

Meryl Streep, The Post

Sally Hawkins, The Shape of Water

Saoirse Ronan, Lady Bird

Who will win: Frances McDormand

Who should win: Saoirse Ronan

In the time of “#metoo” and “Time’s Up”, it seems fitting a performance that focuses on a strong female character fighting the justice system in regards to her daughter’s rape and murder wins “Best Actress.” Frances McDormand’s performance, while good, is one of the most overrated, overblown performances in recent memory. It’s time to acknowledge the young talents of Saoirse Ronan, whose coming of age performance in Lady Bird more than fits in well with “#metoo” and “Time’s Up.”

Best Actor nominees:


Daniel Day-Lewis, Phantom Thread

Daniel Kaluuya, Get Out

Denzel Washington, Roman J. Israel, Esq.

Gary Oldman, Darkest Hour

Timothée Chalamet, Call Me by Your Name

Who will win: Gary Oldman

Who should win: Daniel Day-Lewis

Gary Oldman will finally get his due when he walks away with his first and long-awaited little gold man for his outstanding work in Darkest Hour as Winston Churchill. However, should this be the final performance of his acting career, the Academy needs to honor perhaps the greatest actor to ever live, Daniel Day-Lewis, one final time for his gripping, tour de force performance in Phantom Thread.

Best Picture nominees:


Call Me by Your Name

Darkest Hour


Get Out

Lady Bird

Phantom Thread

The Post

The Shape of Water

Three Billboards Outside of Ebbing, Missouri

Who will win: The Shape of Water

Who should win: Phantom Thread

The Shape of Water seems destined for Oscar glory as being recognized as one of the most bizarre films to ever win “Best Picture”, and its visionary take on the romance genre definitely makes it a worthy winner. Call it pretentious, but the nuances and tremendous performances in Phantom Thread make it the best film of the bunch, and would finally give director Paul Thomas Anderson the credit he deserves as one of the best filmmakers in the industry.



Bro-Reviews: Death Wish

Die Hard on ZzzQuil.

We would be very irresponsible if we did not take the current temperature of the room in relation to gun violence in America and say tensions are running high in light of the recent Parkland, Florida high school shooting. One of the most common arguments against gun control from NRA propagandists and gun lovers alike is these shootings are preventable by enabling “law-abiding” citizens to carry concealed weapons on them, this way they can fight fire with fire. One of the visions these delusional psychopaths have is to emulate Bruce Willis’s John McClane from the Die Hard film series and save the day in such situations. If that seems a bit out of touch, maybe Willis’s latest action vehicle, Death Wish, will suffice their deranged fantasies.

Death Wish sees emergency room surgeon Dr. Paul Kersey (Bruce Willis) living a successful, peaceful life with his wife Lucy (Elisabeth Shue) and daughter Jordan (Camila Morrone) in the crime ridden city of Chicago. One night while Dr. Kersey is at work, Lucy and Jordan fall victim to a house robbery, leaving Lucy dead and Jordan badly injured. Dissatisfied with the lack of progress in the police’s investigation on the matter, Dr. Kersey takes it upon himself by becoming a vigilante crime fighter to find the men who committed the crime while also taking on the most dangerous criminals the city of Chicago has to offer.

There’s no doubt Death Wish suffers from spectacularly terrible timing, as its release comes a mere 16 days after the Parkland, Florida high school shooting tragedy. A film about a vigilante seeking justice may please the gun worshiping crowd and fulfill their bloodthirsty fantasies of protecting those they love or going after “gangbangers” with an arsenal that rivals that of a member of the military, but to everyone else the film comes across as blatantly tone-deaf. Even witnessing Willis’s character evolution from being a “Mr. Nice Guy” into a tough guardian comes across as a Batman origin story mixed with Fox News ideologies, a laughable and silly transformation at best. It doesn’t help the film will draw comparisons to the original 1974 version starring Charles Bronson, whereas that film had gripping conviction, this re-make resonates as offensive and rote, a surprising result coming from director and current master of gore Eli Roth.

Bruce Willis in Death Wish.

The film’s titular star doesn’t exactly bring much life to the film, as Bruce Willis, who has recently become the king of direct-to-video action trash, sleep walks his way through the film. Willis has done films like Death Wish to death throughout his career, but even Willis at his laziest is still somewhat charming. The rest of the cast fills in somewhat nicely, with veteran actors Vincent D’Onofrio as Willis’s brother and Dean Norris as a detective on the case standing out the most.

While Eli Roth’s direction doesn’t rise above anything other than ordinary, he is able to get a couple of thrilling action sequences out of the film. Seeing Willis back in the foray as an action star delivering killer blows, while tone deaf at this time, is still fun to watch. Willis is an action icon, and even him sleep walking through a role like this one while still managing to deliver some hard-hitting action is somewhat of a welcome return, especially in a theatrically released setting.

Death Wish doesn’t add anything new to the revenge/ vigilante action sub-genre and is the current epitome of a gun-toting lunatic’s dream scenario. Its impeccably bad timing does not do itself any favors, but it delivers just enough action and Bruce Willis for the least demanding of action enthusiasts to warrant a look. It may be Die Hard on Zzzquil, but at least we get Bruce Willis back on the silver screen before he cashes another check on a direct-to-DVD release he merely rolls out of bed for.

Rating: 2 out of 4 Stars. Rent it.

Death Wish stars Bruce Willis, Vincent D’onofrio, Elisabeth Shue, Dean Norris, Kimberly Elise, Mike Epps, Camila Morrone, and Beau Knapp. It is in theaters March 2nd.


Bro-Reviews: Darkest Hour

Gary Oldman’s finest hour.

Back in September of 2017, buzz began swirling around a film making its rounds in the film festival circuit, which is typically a common occurrence. What made this buzz different for this film, however, was the rumor of it featuring an awards worthy performance from a tremendous actor who has been long overdue for such accolades. That film was the World War II set Darkest Hour, and the actor was Hollywood veteran Gary Oldman. With Oldman racking up the awards for his performance, including the Golden Globe for “Best Actor in a Motion Picture-Drama”, Darkest Hour has finally received a wider release in the hopes of proving Oldman’s performance lives up to the hype.

Darkest Hour begins in May of 1940, where British Parliament has grown uneasy due to the lack of action by Prime Minister Neville Chamberlain (Ronald Pickup). Chamberlain is replaced by General Winston Churchill (Gary Oldman), a seemingly past his prime politician whose reputation as a drunkard and a militant makes him unpopular in the government. Churchill finds himself and his country under fire, as Adolf Hitler and Nazi Germany are imposing their force and taking down Europe country by country. Churchill must overcome his reputation and the seemingly unstoppable Nazis before Great Britain is invaded and is no more.

The biggest compliment I can give the film is all the hype surrounding Oldman’s performance is warranted. Oldman has the reputation of being a great actor despite appearing in critically maligned films from time to time, and has never gotten his due via an Oscar win. His performance in Darkest Hour should change that, as his alcoholic dialogue slurring, cigar smoking, and motivational speaking all highlight an actor at his apex, and is the clear favorite to walk away with Oscar gold this March.

Gary Oldman in “Darkest Hour.”

Two other noteworthy performances come from veteran actress Kristen Scott Thomas, who plays Churchill’s wife, Clementine, and Ben Mendelsohn, who plays King George VI. Scott Thomas adds more humanity to the film by representing the balance to Churchill’s life, and it’s a shame her solid performance didn’t garner any awards attention. Ben Mendelsohn also delivers a solid performance as King George VI, and the development of the relationship between George VI and Churchill is one of the more intriguing aspects of the film.

The rest of the film, unfortunately, can’t match the quality of the lead and aforementioned performances. Even at a running time of just over 2 hours, the film poorly paced war film from director Joe Wright plays like a history lecture you’d be tempted to fall asleep during. The grey color palette doesn’t help accentuate the setting either, and the film rarely flashes to battles during World War II to wake the audience up. Young starlet Lily James, who left a huge impression on most with her performance in Baby Driver earlier in 2017, hardly resonates in the film as an assistant of Churchill’s, a waste of a young, talented performer.

Darkest Hour benefits greatly from a surely Oscar worthy performance from its lead actor and a couple of other solid supporting performances. The rest of the film, however, can’t quite match the quality its lead performer has. Gary Oldman deserves to take a bow for his finest hour as an actor and walk away with a little golden man, but Darkest Hour is nowhere near deserving of its “Best Picture” Oscar nomination, making it the weakest of the Academy Award’s “Best Picture” bunch.

Rating: 2/4 stars. Rent it.

Darkest Hour stars Gary Oldman, Kristen Scott Thomas, Lily James, Ronald Pickup, and Ben Mendelsohn. It is in theaters now.


Bro-Picks Presents: The Top 10 Super Bowls of All Time

Super Bowl 52 came and went, but does it crack the top 10 of the greatest Super Bowls of all time?

Despite its grandiose nature, the Super Bowl is often a one-sided affair and relatively uncompelling. Every so often, however, we get a Super Bowl that is actually competitive and exciting, and it’s important to cherish these games since they don’t come around often. The top 10 Super Bowls of all time are:

10. Super Bowl V: Baltimore Colts V. Dallas Cowboys

Also known as “The Stupor Bowl”, this game is often ranked as one of the worst games of all-time due to its sloppy play, but it’s undeserved. Sure the game featured 11 turnovers combined, a missed PAT, and even some officiating miscues, but Super Bowl V was a back and forth contest that came down to the final play of the game: a 32 yard field goal by Colts kicker Jim O’Brien. If that doesn’t qualify as a great Super Bowl, then what does?

9. Super Bowl XXXII: Denver Broncos V. Green Bay Packers

After agonizing defeat after defeat, Super Bowl XXXII was shaping up as another disappointment for Denver’s QB John Elway, as the Broncos were 14 point underdogs against the reigning Super Bowl champion Packers, who were led by QB Brett Farve. Super Bowl XXXII went down to the wire, and featured one of the most iconic plays in Super Bowl history, when Elway launched himself in the air in the hopes of gaining a first down, and was hit and spun around like a helicopter. Talk about a heart of a champion.

8. Super Bowl XXXVI: New England Patriots V. St. Louis Rams

In the wake of 9/11, how fitting was it that a team called the Patriots pulled off an incredible upset against the then St. Louis Rams “Greatest Show on Turf”? Sure, allegations of cheating have marred the Patriots dynasty, but it was the first Super Bowl appearance and victory in their remarkable 18 year run that featured an enthralling game winning field goal from New England kicker Adam Vinatieri.

7. Super Bowl LII: Philadelphia Eagles V. New England Patriots

This year’s Super Bowl featured one of the more exciting games in the big game’s history. A back and forth contest that saw the Eagles and Patriots combine for 1,151 yards offensively and featured only one key defensive play late in the fourth quarter, it also featured a blown lead and two comebacks. Somehow, the Eagles managed to shake-off their choker label and win their first Super Bowl in franchise history, and Super Bowl LII should be remembered as an all time great Super Bowl.


6. Super Bowl XIII: Pittsburgh Steelers V. Dallas Cowboys

Two of the NFL’s most iconic franchises did battle for the second time in four years, and this one was one for the ages. An offensive explosion that featured seven touchdown passes from future hall of fame QBs, Pittsburgh Steelers QB Terry Bradshaw and Dallas Cowboys QB Roger Staubach, the game gave us another iconic Super Bowl moment when Cowboys TE Jackie Smith dropped a pass in the end zone that would’ve tied the game at 21. The Cowboys would never recover, and the Steelers walked away with their 3rd Lombardi Trophy in a thrilling contest.

5. Super Bowl XXIII: San Francisco 49ers V. Cincinnati Bengals

Another re-match bowl, Joe Montana and the 49ers capped off their 3rd Super Bowl victory with a 92-yard touchdown drive that all started with a spotting of comedy legend John Candy in the stands. To win the game, Montana threw a 10-yard touchdown to WR John Taylor, his only catch of the game. It added to Montana’s legend as “Joe Cool”, and was the last game Niners coach Bill Walsh roamed the sidelines on as a member of the organization.


4. Super Bowl XXV: New York Giants V. Buffalo Bills

After New York executed a game plan that kept the ball out of the explosive Bills no-huddle offense, Buffalo still had a chance to win the game with a 47-yard field goal with eight seconds left. Bills K Scott Norwood missed the kick wide right, a thrilling finish to a game that would mark the end of coach Bill Parcel’s tenure with the Giants and the beginning of the Bills four straight Super Bowl appearances in the 90s. Broadcasting legend Al Michaels’ two words, “wide right”, continues to haunt the city of Buffalo to this day.


3. Super Bowl XXXIV: St. Louis Rams V. Tennessee Titans

Sure, the Rams at one point led the game 16-0, but Steve McNair and the Titans led a furious comeback to tie the game at 16. After Rams QB and league MVP Kurt Warner threw a 73 yard TD pass to WR Isaac Bruce, the Titans had a chance to win the game with 1:54 left. On the final play of the game, McNair completed a pass to WR Kevin Dyson, who was tackled by Rams LB Mike Jones 1-yard short of the goal line. One. Yard. Short. Perhaps the greatest finish in Super Bowl and NFL history.

2. Super Bowl XLIII: Pittsburgh Steelers V. Arizona Cardinals

For the Steelers, appearing in Super Bowls is second nature. For the Cardinals, it seemed like a pipe dream. A close contest throughout, Super Bowl XLIII gave fans one of the greatest plays in football history when Steelers LB James Harrison intercepted a pass from Cardinals future hall of fame QB Kurt Warner and returned it 100 yards for a touchdown before halftime. The Cardinals would battle back valiantly, scoring the game’s next two touchdowns, including a 64-yard touchdown reception by WR Larry Fitzgerald, which gave Arizona a three point lead with 2:37 remaining. Pittsburgh QB Ben Roethlisberger then led the Steelers on an 8 play, 78-yard drive that was capped off by WR Santonio Holmes’ terrific tip-toe catch in the back of the end zone to secure Pittburgh’s 6th Lombardi trophy, the most in NFL history.


1. Super Bowl XLII New York Giants V. New England Patriots

With the prospect of a perfect season on the line, the New England Patriots had only one game to win in order to immortalized as the greatest team ever. The New York Giants had other plans. The game was a 7-3 score stalemate throughout until an amazing fourth quarter took place. First, the Giants took the lead after QB Eli Manning threw a 5-yard touchdown pass to unknown WR David Tyree (*more on him later) to give the Giants a 10-7 lead. Just a few possessions later, Patriots QB Tom Brady did what he does best by leading a 12 play, 80-yard drive that resulted in a 6-yard touchdown pass to WR Randy Moss to give the Patriots a 14-10 lead. On the Giants final possession, Eli Manning escaped the clutches of Patriots DE Richard Seymour and DE Jarvis Green and delivered a 32-yard completion to WR David Tyree, who out-jumped Patriots All-Pro S Rodney Harrison and caught the ball by pinning it to his helmet in what is now referred to as “The Helmet Catch.” Four plays later, Manning tossed a 13-yard touchdown pass to WR Plaxico Burress to cap the upset of the century, and the greatest Super Bowl of all-time.