Bro-Reviews: The 10 Worst Movies of 2017

One overwhelming feeling I couldn’t escape from my movie going experience in 2017 was just how underwhelmed I was walking out of most films this year. Another feeling I most certainly couldn’t help but feel was how angry I was watching certain films. Sure, bad movies are released pretty much every week now these days, but 2017 saw many films leaving myself and audiences visibly and audibly upset walking out of theaters. Of course, one cannot view every bad movie, but the following films listed are the the absolute worst 2017 had to offer.

(Dis)Honorable Mentions:

Bright (Netflix)

Joel Edgerton and Will Smith in “Bright.”

Alien: Covenant

“Alien: Covenant.”

Fifty Shades Darker

Jamie Dornan and Dakota Johnson in “Fifty Shades Darker.”


Goldie Hawn and Amy Schumer in “Snatched.”

10. Fist Fight

Ice Cube and Charlie Day in “Fist Fight.”

Mean spirited and unfunny, Fist Fight wastes a talented cast with a juvenile script and obvious gags. Its underlying message of how awful the public school system has become also goes nowhere, and ranks as one of the most misguided comedies of 2017.

9. Justice League

Ben Affleck, Gal Gadot, Ray Fisher, Ezra Miller, and Jason Momoa in “Justice League.”

One thought after the success of Wonder Woman, DC might finally be on the right track. Justice League proves DC hasn’t learned from their previous mistakes, as this rushed and heavily re-shot answer to Marvel’s The Avengers didn’t even gross as much as the incoherent Batman V. Superman: Dawn of Justice. The DC Extended Universe may be beyond saving at this point.

8. The Emoji Movie

The Emoji Movie.”

If you ever wanted the film embodiment of a corporation desperately trying to appeal to younger audiences and thinking they’re being clever about it, The Emoji Movie is for you.

7. Geostorm

Gerrard Butler in “Geostorm.”

Geostorm makes Armageddon look like Casablanca. It could’ve been dumb fun, but it’s mostly listless and overdone with poor special effects. Geostorm tries to breathe life into the dying disaster movie genre, but fails spectacularly.

6. Transformers: The Last Knight

“Transformers: The Last Knight.”

The Transformers franchise has so much potential to be great, even in the hands of a true auteur like Michael Bay. But we must put an end to the Autobots and Decepticons, as Transformers: The Last Knight is an overlong and over-complicated fever dream that ranks as the worst the series has to offer. And that’s saying something.

5. The Snowman

“The Snowman.”

The Snowman feels like an incomplete project not even a first year film student would submit. It’s poorly structured, sloppily edited, and above all else, boring. The Snowman aims to be the next Se7en or The Girl with the Dragon Tattoo, but comes across as a counterfeit knockoff no sane person would classify as good filmmaking.

4. Baywatch


Bikinis, cleavage, abs, comedy, action, and The Rock?! What could possibly go wrong? For Baywatch, everything. This lame, uninspired summer action comedy is a chore to sit through, rendering this bay unwatchable.

3. Mother!

Javier Bardem and Jennifer Lawrence in “Mother!.”

Calling Mother! pretentious would be an insult to the word. Mother! believes it’s groundbreaking and deep by realizing Biblical scripture in modern times, but is ultimately a pointless venture made purely for shock value.

2. All Eyez on Me

Demetrius Shipp, Jr. in “All Eyez on Me.”

Tupac Shakur was a fascinating man and a rap legend, but you wouldn’t know that by watching the ill-fated bio-pic All Eyez on Me. This two-and-a-half hour long slog through the rapper’s life plays like a cheap, scratched-up greatest hits album that is missing some tracks, and ultimately has no flow.

1. Wish Upon

Joey King in “Wish Upon.”

From bad acting, shameless pandering to millennials, to being downright comedic instead of scary, Wish Upon hoped to lure in an unassuming and undemanding audience that still believes The Blair Witch Project was real. The result of this poor update on “The Monkey’s Paw” turned out to be not only one of the best screening experiences I’ve ever had, but most importantly, the absolute worst 2017 had to offer in film.


Bro-Reviews: Transformers: The Last Knight

If only it were the last of its kind.

The Transformers franchise is one of the biggest wastes of potential in the history of film. Based on the popular Hasbro toys and the cartoon series, the Transformers movies have so much material to draw upon to not only make a compelling movie, but also an absorbing universe similar to the one Marvel Studios has created. 2007’s Transformers is still one of most pleasant surprises in the history of summer blockbusters, 2009’s Transformers: Revenge of the Fallen was a dumpster fire of epic proportions, 2011’s Transformers: Dark of the Moon came close to matching its predecessor’s ineptitude but averts that fate by having an epic climatic battle, and 2014’s Transformers: Age of Extinction should’ve left the franchise extinct according to most (*I enjoyed it, however*). But due to the fact that these films print money, a fifth film, Transformers: The Last Knight, has now arrived in theaters.

In The Last Knight, we find out back in 484 A.D. a magician by the name of Merlin (Stanley Tucci) enlisted the help of Cybertronian Knights to help King Arthur and Camelot defeat their adversaries thanks to a staff given to Merlin. In the present day, more and more transformers are arriving to earth despite the fact they are hunted by the Transformers Reaction Force. During this time, Optimus Prime (voiced by Peter Cullen) crash lands onto his home plant of Cybertron and is corrupted by the sorceress Quintessa (voiced by Gemma Chan). She forces him to embark on a mission to destroy earth by obtaining the staff of Merlin, which holds the key to bringing the planet Cybertron back to life. It is then up to inventor Cade Yeager (Mark Wahlberg), Oxford professor Viviane Wembly (Laura Haddock), and astronomer/ transformers historian Sir Edmond Burton (Sir Anthony Hopkins) to find the staff of Merlin in order to save earth from annihilation.

Despite that synopsis and the promise of delving deeper into the mythology of the transformers, the movie is impossible to follow. There is no flow to the story, as most of the characters give exposition to try and explain what is going on. It’s as if the writers were literally making the story up as it went along, something we’ve grown accustomed to with this franchise.

Mark Wahlberg in “Transformers: The Last Knight.”

Even more glaring this time around are the amount of useless characters in the movie. Jerrod Carmichael is one of the top comedians in the game right now, but you wouldn’t know that watching this movie, as his scenes are unfunny and awkward. John Tutorro returns for this installment, and his psychobabbling grows irritating every second he appears on screen. Isabela Moner’s street savvy Izabella comes across as heroic in the trailers, but is rendered ineffective for long periods of the film.

Stanley Tucci now plays two characters in this woebegotten franchise, and he’s given top billing even though his screen time is limited to 5 minutes as Merlin. Josh Duhmel returns to the franchise as well, but his arch of now being part of the team hunting the transformers despite being one of their biggest allies in the first three movies makes little sense. While Laura Haddock is more heroic and intelligent than previous female leads in this series, she still experiences Michael Bay’s exploitative cleavage shots much like the ones Megan Fox, Rosie Huntington Whiteley, and Nicola Peltz experienced. Mark Wahlberg still has his whole Boston dad from Texas affect going on, but he’s effective enough as the leading man and is an improvement over Shia Labeouf. And not even a real knight in Sir Anthony Hopkins, who is in peak “I’m just collecting a check” form, can make this film tolerable. He comes across as a senile old man who was just dragged out of a retirement home and thrown into a movie.

If there’s anything positive to be said of these films, the action sequences are something to behold. Director Michael Bay knows how to direct action sequences and make great use of state-of-the-art special effects, and The Last Knight delivers thrilling action sequences involving the Transformers and finally perfects shooting these scenes in a way in which the audience can tell what is going on.

That being said, Bay once again goes overboard with his use of explosions, making the parody trailer “Michael Bay Explosions” in the T.V. show Robot Chicken seem more like a documentary than a joke. The film beats you down with its action, special effects, and booming sound to the point of fatigue. Technically, the film constantly switches from wide-screen frame to full-screen frame, leaving one to wonder if Michael Bay has gotten so lazy that he does not care if the framing of his films are consistent from scene to scene. But there is evidence to the contrary, as the film is so frenetically edited you would have had to have put effort into the countless quick cuts there are in the film.

Michael Bay has his great films such as the Bad Boys movies, The Rock, and Pain and Gain. It has become clear, however, that he should not be at the helm of the Transformers franchise, as after five films, only one of them is legitimately considered good. One can only hope The Last Knight is the final Transformers movie to be directed by Bay, as it’s time for him to step away from this series and allow someone else to try and salvage what could be one of the most thrilling franchises in Hollywood. As it stands, Transformers: The Last Knight is a two-and-a-half hour all-out assault on the senses that bludgeons its audience to the point of exhaustion. A polished, continuous car-wreck that has no end in sight. I may not have proof that Transformers: The Last Knight destroys brain cells, but I certainly wouldn’t be surprised if such a discovery was made.

Rating: 1/4 Stars. Stay Away.


Bro-Commentary: Summer Movie Preview

Finally, a summer movie season to look forward too.

The summer movie season has arrived, and this summer appears to be loaded with potential. Here are the most notable movies being released this summer that will end up as a hit, a bomb, or a surprise.


Guardians of the Galaxy Volume 2:

It’s the biggest movie of the summer. Even if it ends up not being as fresh as the original, you’re going to see it.

Prediction: Hit, $400 Million


King Arthur: Legend of the Sword

I like Guy Ritchie as a director. Lock, Stock and Two Smoking Barrels, Snatch, and RocknRolla may be Tarantino-esque knockoffs, but they’re good London crime capers. His bigger budgeted films are mixed bag, as the first Sherlock Holmes movie was fun, the second one was a mess, and The Man From U.N.C.L.E. was a stylish, flashy, but somewhat hollow spy film. King Arthur: Legend of the Sword looks like a misstep for the director, and will be the first bomb of the summer.

Prediction: Bomb, $60 Million



Amy Schumer returns for the first time since her hit film Trainwreck in this road trip gone wrong movie featuring Goldie Hawn. It’ll have its moments, it’s only a question of whether Amy Schumer stole the jokes or not.

Prediction: Hit, $90 Million


Alien: Covenant

Ridley Scott returns to his sci-fi horror roots in the sequel to Prometheus/ prequel to Alien. It’ll be a welcome return.

Prediction: Hit, $100 Million



Dwayne Johnson. Zac Efron. Beaches. Bikinis. What more do you want in a summer movie?

Prediction: Hit, $120 Million

Pirates of the Caribbean: Dead Men Tell No Tales

No one asked for this. But that wasn’t going to stop Disney from making more money. Add in the fact the original cast returns and adds Javier Bardem to the mix, and it might be better than At World’s End and On Stranger Tides.

Prediction: Bomb (Domestic) $180 Million, Hit (Overseas) $800 Million


Wonder Woman

It’s the second to last beacon of hope for the DC extended universe, as Gal Gadot’s portrayal of the legendary heroine was one of the few positives in the otherwise appalling Batman V Superman. The trailers look promising, but its DC. The reviews will be key for this one.

Prediction: Hit, $200 Million


Captain Underpants: The Epic First Movie

Finally, a kid’s movie to get excited about. Captain Underpants makes his big screen debut after numerous successful novels about the underwear frolicking hero. With a tremendous voice cast featuring Kevin Hart, Ed Helms, Nick Kroll, and Thomas Middleditch, this could be a surprise hit. Coming out before Cars 3 and Despicable Me 3, however, might lead to the self-titled Epic First Movie to be the only movie in the series.

Prediction: Surprise, $105 Million


The Mummy

Tom Cruise runs away for the millionth time. This time from a Mummy. I love Tom Cruise. One must wonder why the studio didn’t try to get him to star in this franchise when it began in the 90s. Somewhere, Brendan Fraser is begging the executives to allow him a cameo in this re-boot.

Prediction: Hit, $120 Million


It Comes at Night:

Joel Edgerton follows up his award worthy performance in Loving with a horror-thriller about people stuck in the woods while the world is falling apart. The low budget film got rave reviews at SXSW, and that should translate it to being one of the biggest sleeper hits of the summer.

Prediction: Surprise, $55 Million


Cars 3

I hate these movies. But it’s Pixar. They print money and then wipe their behinds with it.

Prediction: Hit, $190 Million


Rough Night

Scarlett Johansson attempts to erase Ghost in the Shell from everyone’s memory in this all female comedy about a girl’s night out gone horribly wrong. I personally think Girl Trip with an all black cast will be funnier, but this will do until that comes out.

Prediction: Surprise, $100 Million

 All Eyez on Me

If they can make a hit movie about NWA, then you knew a biopic about Tupac Shakur would attempt to follow suit.

Prediction: Surprise, $80 Million


Transformers: The Last Knight

Michael Bay Explosions: Part 5. Just do the crossover with the Fast and the Furious already.

Prediction: Disappointment (Domestic) $200 Million, Hit (Overseas) $850 Million


Baby Driver

It’s one of the more intriguing films of the summer, and features an all-star ensemble cast. It’s also writer/ director Edgar Wright’s first film in four years, his last being the hilarious The World’s End. Its earned rave reviews so far, and it’ll be one of the best films of the summer.

Prediction: Surprise, $60 Million


Despicable Me 3

Enough with the minions.

Prediction: Hit, $300 Million


The House

Amy Poehler decides to ride the coat-tails of Will Ferrell instead of Tina Fey in this film about two parents who decide to run an illegal casino in their basement to pay their daughter’s college tuition. There is nothing funny about this. You will go see it regardless.

Prediction: Hit, $120 Million


Spider-Man: Homecoming

Spider-Man + Tony Stark + Michael Keaton + Marvel Cinematic Universe = Profit.

Prediction: Hit, $275 Million


War For the Planet of the Apes

I’m still waiting for the moment where the apes become the knights of the round table like in the classics of the 60s and even the 2001 re-make. That being said, I’ll take Caesar fighting Woody Harrelson in the meantime.

Prediction: Hit, $190 Million



Christopher Nolan movies are always big events, even when they end up disappointing like 2014’s Interstellar. Dunkirk marks the acting debut of Mick Jagger wannabe Harry Styles, but other than that atrocity the film appears to be epic.

Prediction: Hit, $170 Million


Atomic Blonde:

John Wick but with Charlize Theron. Sign us up.

Prediction: Surprise, $75 Million


The Emoji Movie

I don’t want to live on this planet anymore.

Prediction: Hit, $105 Million (*Dear God please let this movie bomb*)


The Dark Tower

Stephen King’s epic finally makes it to the silver screen. It’s got a great cast with Idris Elba as Roland the Gunslinger and Matthew McChonaughey as the Man in Black, but first trailer arrived just days ago. We haven’t heard a lot from the production, which is never a good sign, but the trailer leaves me hopeful. It probably won’t become the next major studio franchise, but it could be a very good one-off film.

Prediction: Surprise, $75 Million, but has big BOMB potential



 Kathryn Bigelow is responsible for two of the most overrated films of all time in The Hurt Locker and Zero Dark Thirty. The Hurt Locker is worst best picture winner ever, but something about this film, which tells the story of the 1967 riots in Detroit, makes it appear like an early awards contender.

Prediction: Surprise, $60 Million


The Hitman’s Bodyguard

Ryan Reynolds and Samuel L. Jackson trading curse words for 90 minutes while bowing up stuff overseas. Yes to all of that.

Prediction: Surprise, $85 Million